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Andrew's avatar

It's an unnerving show that has a preposterous premise and a couple good actors (John Turturro and Christopher Walken). It is noteworthy however that we now have a preposterous president and an even more outlandish first buddy who's heading a fictional department (DOGE) that is dismantling our government. So in that light, maybe not so preposterous. To see a better show on Apple, watch Slow Horses. More entertaining by far.

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Salty's avatar

I’m for sure going to come back to this more directly and/or also don’t want to pre-empt my own work I’m currently doing on Severance, but a quick scattershot thought I want to hit you with because I think it operates as a kind of starting point towards “Severance Unified Theory” is this:

I don’t think the Outie world is “the real world,”*either*.

There are too many weird indicators — the fact that the cars have no State on their license plates, just more Kier quotes; the fact that the orientation video for the ORTBO plays on a CRT TV…that isn’t plugged into anything; the fact that many Outies have trouble remembering things too (remember how Outie Mark can’t remember his mom’s eye color either? It’s played as a “men don’t notice things” gag…but what if it’s not…?).

I think we may be dealing with a world that is either on the brink of or actually post-apocalyptic event — notice how it’s apparently winter forever outside? And I think there are numerous indicators that Lumon is associated / associates itself with Noah’s Ark. The theme of doubling / things going “two by two”; the messianic religious imagery around Kier; and the fact their mysterious logo is…a water drop.

And don’t forget the most important and key thing Cobel ever says — the best way to keep your workers in line…is to let them *believe* that they are free…

Something to consider around all the other mysteries…

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